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their fondest hope was to save enough money to buy a country weekly in a thriving town. At first thought it would seem that the city journalist would fail in the new field, having been educated in a vastly different atmosphere and being unacquainted with the conditions under which the country editor must make friends and secure business. But two of the most successful newspapers of my acquaintance are edited by men who served their apprenticeship on city dailies, and finally realized their heart's desire and bought country weeklies in prosperous communities. They are not only making more money than ever before, but both tell me that they have greater happiness than came in the old days of rush, hurry, and excitement.

So long as a country paper can be issued without the expenditure of more than a few hundred dollars, so long as the man with ambition and money can satisfy his desire to "edit," the country paper will be fruitful of jocose remarks by the city journalist. There will be columns of odd reprint from the backwoods of Arkansas, and queer combinations of grammar and egotism from the Egypt of Illinois. The exchange editor will find in his rural mail much food for humorous comment, but he will not find

characterizing the country editor a lack of independence, nor a lack of ability to look out for himself. The country editor is doing very well, and the trend of his business affairs is in the direction of better financial returns and wider influence. He is a greater power now than ever before in his history, and he will become more influential as the years go by. He will not be controlled by a syndicate, nor modeled after a machine-made pattern, but will exert his individuality wherever he may be.

The country editor of to-day is coming into his own. He asks fewer favors and brings more into the store of common good. He does not ask eulogies nor does he resent fair criticisms; he is content to be judged by what he is and what he has accomplished. As the leader of the hosts must hold his place by the consent of his followers, so must the town's spokesman prove his worth. Closest to the people, nearest to their home life, its hopes and its aspirations, the country editor is at the foundation of journalism. Here and there is a weak and inefficient example; but in the main he measures up to as high a standard as does any class of business men in the nation, and it is as a business man that he prefers to be classed.

TO GIACOMO LEOPARDI

BY T. STURGE MOORE

COLD was thy thought, O stricken son
Of Italy, cold as the moon

That naked, barren, frozen, on

This fertile earth, the boon

Of silver light

Sheds by night,

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Touching the million shaken leaves
That crown our woods; while every fold
Of buttressed Alp soft charm receives,
Till near things look like lands far sought.
Yes, thy thought ached, it was so cold;
And winsome movement, and choice sound,
In harmonies divinely wrought,

Could they be born of that profound
Despair which they so clearly taught?

Nay, suffering, like a nightmare still,
Turned all thy youth's warm radiance chill,
As yon dead moon turns the sun's beams
Aside in cold yet lucid streams,

Whose loveliness from farther came
Than that dead planet's cratered side;

A globe of glory all one flame

Is in their brightness still implied.

So in the beauty of thine odes
Man's glowing eager spirit shines,
While yet its strange deflection loads
With added charm their play, refines
Their luminous force, till they,
Fair as moonlight,

Infuse the night

Of our roused sorrow, sadness, and
Remembered pain, where they expand
Brilliance, both solemn and serene,
Grand as the presence of Night's queen.

A MOTOR-FLIGHT THROUGH FRANCE

BY EDITH WHARTON

FROM ROUEN TO FONTAINEBLEAU

(Continued)

By Vernon, with its trim lime walks en berceau, by Mantes with its bright gardens, and the graceful over-restored church which dominates its square, we passed on to Versailles, forsaking the course of the Seine that we might have a glimpse of the country about Fontaine

bleau.

At the top of the Route du Buc, which climbs by sharp windings from the Place du Château at Versailles, one comes upon the great arches of the aqueduct of Buc— one of the monuments of that splendid folly which created the "Golden House" of Louis XIV, and drew its miraculous groves and gardens from the waterless plain of Versailles. The aqueduct, forming part of the extravagant scheme of irrigation of which the Machine de Marly and the great canal of Maintenon commemorate successive disastrous phases, frames, in its useless lofty openings, such charming glimpses of the country to the southwest of Versailles, that it takes its place among those abortive architectural experiments which seem, after all, to have been completely justified by time.

The landscape upon which the arches look is a high-lying region of wood and vale, with châteaux at the end of long green vistas, and old flowery villages tucked into folds of the hills. At the first turn of the road above Versailles the wellkept suburbanism of the Parisian environ gives way to the real look of the country, well-kept and smiling still, but tranquil and sweetly shaded, with

II

big farmyards, quiet country lanes, and a quiet country look in the peasants' faces.

In passing through some parts of France one wonders where the inhabitants of the châteaux go to when they emerge from their gates so interminably, beyond those gates, do the flat fields, divided by straight unshaded roads, reach out to every point of the compass; but here the wooded undulations of the country, the friendliness of the villages, the recurrence of big rambling farmsteads some, apparently, the remains of fortified monastic granges all suggest the possibility of something resembling the English rural life, with its traditional ties between the park and the fields. The brief journey between Versailles and Fontainebleau offers - if one takes the longer way, by Saint Rémy-les-Chevreuse and Etampes a succession of charming impressions, more varied than one often finds in a long day's motor-run through France; and midway one comes upon the splendid surprise of Dourdan.

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Ignorance is not without its æsthetic uses; and to drop down into the modest old town without knowing- or having forgotten, if one prefers to put it so the great castle of Philip Augustus, which, moated, dungeoned, ivy-walled, still possesses its peaceful central square come upon this vigorous bit of mediæval arrogance, with the little houses of Dourdan still ducking their humble roofs to it in an obsequious circle — well! to taste the full flavor of such sensations, it is worth while to be of a new country, where the last new grain-elevator or office building is the only monument that receives homage from the surrounding architecture.

Dourdan, too, has the crowning charm of an old inn facing its château-fortsuch an inn as Manon and des Grieux dined in on the way to Paris where, in a large courtyard shaded by trees, one may feast on strawberries and cheese at a table enclosed in clipped shrubs, with dogs and pigeons amicably prowling for crumbs, and the host and hostess, their maid-servants, ostlers and marmitons breakfasting at another long table, just across the hedge. Now that the demands of the motorist are introducing modern plumbing and Maple furniture into the uttermost parts of France, these romantic old inns, where it is charming to breakfast, if precarious to sleep, are becoming as rare as the medieval keeps with which they are, in a way, contemporaneous; and Dourdan is fortunate in still having two such perfect specimens to attract the attention of the archæologist.

Etampes, our next considerable town, seemed by contrast rather featureless and disappointing; yet, for that very reason, so typical of the average French country town-dry, compact, unsentimental, as if avariciously hoarding a long rich past that its one straight gray street and squat old church will hereafter always serve for the ville de province background in my staging of French fiction. Beyond Etampes, as one approaches Fontainebleau, the scenery grows extremely picturesque, with bold outcroppings of blackened rock, fields of golden broom, groves of birch and pine first hints of the fantastic sandstone scenery of the forest. And presently the long green aisles opened before us in all the freshness of spring verdure tapering away right and left to distant ronds-points, to mossy stone obelisks and leading us toward sunset to the old town in the heart of the forest.

IV

THE LOIRE AND THE INDRE

Fontainebleau is charming in May, and at no season do its countless glades

more invitingly detain the wanderer; but it belonged to the familiar, the alreadyexperienced part of our itinerary, and we had to press on to the unexplored. So after a day's roaming of the forest, and a short flight to Moret, mediævally seated in its stout walls on the poplar-edged Loing, we started on our way to the Loire.

Here, too, our wheels were still on beaten tracks; though the morning's flight across country to Orléans was meant to give us a glimpse of a new region. But on that unhappy morning Boreas was up with all his pack, and hunted us savagely across the naked plain, now behind, now on our quarter, now dashing ahead to lie in ambush behind a huddled village, and leap on us as we rounded its last house. The plain stretched on interminably, and the farther it stretched the harder the wind raced us; so that Pithiviers, spite of dulcet associations, appeared to our shrinking eyes only as a wind-break, eagerly striven for and too soon gained and passed; and when, at luncheon-time, we beat our way, spent and wheezing, into Orléans, even the serried memories of that venerable city endeared it to us less than the fact that it had an inn where we might at last find shelter.

The above wholly inadequate description of an interesting part of France will have convinced any rational being that motoring is no way to see the country. And that morning it certainly was not; but then, what of the afternoon? When we rolled out of Orléans after luncheon, both the day and the scene had changed; and what other form of travel could have brought us into such delightful communion with the spirit of the Loire as our smooth flight along its banks in the bland May air? For, after all, if the motorist sometimes misses details by going too fast, he sometimes has them stamped into his memory by an opportune puncture or a recalcitrant "magneto;" and if, on windy days, he has to rush through nature blindfold, on golden afternoons

such as this he can drain every drop of her precious essence.

Certainly we got a great deal of the Loire as we followed its windings that day: a great sense of the steely breadth of its flow, the amenity of its shores, the sweet flatness of the richly gardened and vineyarded landscape, as of a highly cultivated but slightly insipid society; an impression of long white villages and of stout conical towns on little hills; of old brown Beaugency in its cup between two heights, and Madame de Pompadour's Ménars on its bright terraces; of Blois, nobly bestriding the river at a noble bend; and farther south, of yellow cliffs honeycombed with strange dwellings; of Chaumont and Amboise gallantly crowning their heaped-up towns; of manoirs, walled gardens, rich pastures, willowed islands; and then, toward sunset, of another long bridge, a brace of fretted church-towers, and the widespread roofs of Tours.

Had we visited by rail the principal places named in this itinerary, necessity would have detained us longer in each, and we should have had a fuller store of specific impressions; but we should have missed what is, in one way, the truest initiation of travel, the sense of continuity, of relation between different districts, of familiarity with the unnamed, unhistoried region stretching between successive centres of human history, and exerting, in deep unnoticed ways, so persistent an influence on the turn that history takes. And after all though some people seem to doubt the fact - it is possible to stop a motor and get out of it; and if, on our way down the Loire, we exercised this privilege infrequently, it was because, here again, we were in a land of old acquaintance, of which the general topography was just the least familiar part.

It was not till, two days later, we passed out of Tours - not, in fact, till we left to the northward the towered pile of Loches--that we found ourselves once more in a new country. It

was a cold day of high clouds and flying sunlight: just the sky to overarch the wide rolling landscape through which the turns of the Indre were leading us. To the south, whither we were bound, lay the Berry-the land of George Sand; while in the northwest, low acclivities sloped away toward the Beauce, with villages shining on their sides. One arrow of sunlight, I remember, transfixed for a second an unknown town on one of these slopes: a town of some consequence, with walls and towers that flashed far-off and mysterious across the cloudy plain. Who has not been tantalized in travelling, by the glimpse of such cities unnamed, undiscoverable afterward by the minutest orientations of map and guide-book? Certainly, to the uninitiated, no hill-town is visible on that particularly level section of the map of France; yet there sloped the hill, there shone the town not a moment's mirage, but the companion of an hour's travel, dominating the turns of our road, beckoning to us across the increasing miles, and causing me to vow, as we lost the last glimpse of its towers, that next year I would go back and make it give up its name.

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But now we were approaching a town with a name a name so encrusted and overgrown with associations that it was undeniably disappointing, as we reached its outskirts, to find Châteauroux aside from its fine old château on the Indre so exactly like other dull French towns, so provokingly unconscious of being one of the capital cities of literature. And it seems, in fact, literally as well as figuratively unaware of its distinction. Fame throws its circles so wide that it makes not a ripple near home; and even the alert landlady of the Hôtel Sainte Catherine wrinkled her brows perplexedly at our question: "Is one permitted to visit the house of George Sand ?"

“Le château de George Sand? (A pause of reflection.) C'est l'écrivain, n'est-ce pas? (Another pause.) C'est à Nohant,

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