Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 141
... single objects , as the most simple , shall take the lead ; to be followed with particulars , which , depending on relations , are not found in single objects . Dispatching next some coincident matters , I pro- ceed to my chief aim ...
... single objects , as the most simple , shall take the lead ; to be followed with particulars , which , depending on relations , are not found in single objects . Dispatching next some coincident matters , I pro- ceed to my chief aim ...
Стр. 144
... single objects . I re- A multitude of objects crowding into the mind at once , disturb the at- tention , and pass without making any impression , or any distinct impres- sion : in a group , no single object makes the figure it would do ...
... single objects . I re- A multitude of objects crowding into the mind at once , disturb the at- tention , and pass without making any impression , or any distinct impres- sion : in a group , no single object makes the figure it would do ...
Стр. 213
... single expression . For the same reason , a landscape ought also to be confined to a single expression ; and accordingly it is a rule in painting , That if the subject be gay , every figure ought to contribute to that emotion . It ...
... single expression . For the same reason , a landscape ought also to be confined to a single expression ; and accordingly it is a rule in painting , That if the subject be gay , every figure ought to contribute to that emotion . It ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers