Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 327
... sentiments suited to no character nor passion , and therefore unnatural . The first class contains faulty sentiments of various kinds , which I shall endeavour to distinguish from each other ; beginning with sentiments that are faulty ...
... sentiments suited to no character nor passion , and therefore unnatural . The first class contains faulty sentiments of various kinds , which I shall endeavour to distinguish from each other ; beginning with sentiments that are faulty ...
Стр. 349
... sentiments ought to be tuned to the passion , and the language to both . Elevated sentiments require elevated language : tender sentiments ought to be clothed in words that are soft and flowing : when the mind is depressed with any ...
... sentiments ought to be tuned to the passion , and the language to both . Elevated sentiments require elevated language : tender sentiments ought to be clothed in words that are soft and flowing : when the mind is depressed with any ...
Стр. 354
... sentiments , I shall confine my quotations to the grosser errors , which every writer ought to avoid . And , first , of passion expressed in words flowing in an equal course with- out interruption . In the chapter above cited ...
... sentiments , I shall confine my quotations to the grosser errors , which every writer ought to avoid . And , first , of passion expressed in words flowing in an equal course with- out interruption . In the chapter above cited ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers