Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 58
... relation be . An- other exception makes a greater figure : a group of beings or things , becomes often the object of a communicated passion , even where the relation of the individuals to the percipient is but slight . Thus though I put ...
... relation be . An- other exception makes a greater figure : a group of beings or things , becomes often the object of a communicated passion , even where the relation of the individuals to the percipient is but slight . Thus though I put ...
Стр. 60
... relation from each of them perhaps oftener than once ; which holds more especially in considering a relation between things of unequal rank , as between the cause and the effect , or between a principal and an accessory : in contem ...
... relation from each of them perhaps oftener than once ; which holds more especially in considering a relation between things of unequal rank , as between the cause and the effect , or between a principal and an accessory : in contem ...
Стр. 235
... relation ; such as a man and his actions , a principal and its accessories , a subject and its ornaments . We are indeed so framed by nature , as among things so connected , to re- quire a certain suitableness or correspondence , termed ...
... relation ; such as a man and his actions , a principal and its accessories , a subject and its ornaments . We are indeed so framed by nature , as among things so connected , to re- quire a certain suitableness or correspondence , termed ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers