Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 134
... person in dis- tress , being so far a disagreeable object , must raise in the spectator a painful passion ; and were man purely a selfish being , he would desire to be relieved from that pain , by turning from the object . But the ...
... person in dis- tress , being so far a disagreeable object , must raise in the spectator a painful passion ; and were man purely a selfish being , he would desire to be relieved from that pain , by turning from the object . But the ...
Стр. 252
... person whose countenance has little expression : such a person cannot be graceful . Therefore to produce this appearance , we must add another circumstance , namely , an expressive countenance , displaying to every spectator of taste ...
... person whose countenance has little expression : such a person cannot be graceful . Therefore to produce this appearance , we must add another circumstance , namely , an expressive countenance , displaying to every spectator of taste ...
Стр. 307
... person against whom the anger is directed is not put upon his guard . It is for these reasons a great object in ... person his † See chap . 2. part 1. sect . 6 . < 446 > spectator with the person who suffers . EXTERNAL SIGNS OF EMOTION 307.
... person against whom the anger is directed is not put upon his guard . It is for these reasons a great object in ... person his † See chap . 2. part 1. sect . 6 . < 446 > spectator with the person who suffers . EXTERNAL SIGNS OF EMOTION 307.
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers