Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 60
... mind is not satisfied with a single transition from the former to the latter ; it must also view the relation , beginning at the latter , and passing from it to the former . This vibration of the mind in passing and repassing between ...
... mind is not satisfied with a single transition from the former to the latter ; it must also view the relation , beginning at the latter , and passing from it to the former . This vibration of the mind in passing and repassing between ...
Стр. 159
... mind : some actions are great and elevated , and others are little and groveling . Sen- timents , and even expressions , are characterised in the same manner : an expression or sentiment that raises the mind , is denominated great or ...
... mind : some actions are great and elevated , and others are little and groveling . Sen- timents , and even expressions , are characterised in the same manner : an expression or sentiment that raises the mind , is denominated great or ...
Стр. 181
... mind were carried along : the emotion raised by force exerted , resembling also its cause , is felt as if force were exerted within the mind . To illustrate that difference , I give the following examples . It has been explained why ...
... mind were carried along : the emotion raised by force exerted , resembling also its cause , is felt as if force were exerted within the mind . To illustrate that difference , I give the following examples . It has been explained why ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers