Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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... kind have an object . For another example , let us figure some grand and heroic action , highly agreeable to the spectator : beside veneration for the author , the spectator feels in himself an unusual dignity of character , which ...
... kind have an object . For another example , let us figure some grand and heroic action , highly agreeable to the spectator : beside veneration for the author , the spectator feels in himself an unusual dignity of character , which ...
Стр. 88
... kind : the ends they aim at may be accomplished by a single act ; and when that act is performed , the passions are necessarily at an end . Love and hatred are examples of the other kind ; desire of doing good or of doing mischief to an ...
... kind : the ends they aim at may be accomplished by a single act ; and when that act is performed , the passions are necessarily at an end . Love and hatred are examples of the other kind ; desire of doing good or of doing mischief to an ...
Стр. 312
... kind , what is truly the most difficult , is a characteristical dialogue upon any philosophical subject : to interweave characters with reasoning , by suiting to the character of each speaker , a peculiarity not only of thought , but of ...
... kind , what is truly the most difficult , is a characteristical dialogue upon any philosophical subject : to interweave characters with reasoning , by suiting to the character of each speaker , a peculiarity not only of thought , but of ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers