Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 32
... heart . The principles of the fine arts , appear in this view to open a direct avenue to the heart of man . < 34 > The inquisitive mind beginning with criticism , the most agreeable of all amusements , and finding no obstruction in its ...
... heart . The principles of the fine arts , appear in this view to open a direct avenue to the heart of man . < 34 > The inquisitive mind beginning with criticism , the most agreeable of all amusements , and finding no obstruction in its ...
Стр. 301
... heart . As the arbitrary signs vary in every country , there could be no communication of thoughts among different nations , were it not for the natural signs , in which all agree : and as the discovering passions instantly at their ...
... heart . As the arbitrary signs vary in every country , there could be no communication of thoughts among different nations , were it not for the natural signs , in which all agree : and as the discovering passions instantly at their ...
Стр. 365
... heart of thee , How like a deer , striken by many princes , Dost thou here lie ! Julius Caesar , act 3. sc . 3.19 ... heart ! he doth espy 17. Act 4 , sc . 5 . 18. O Amarillis , Authresse of my flame , ( Within my mouth how sweet now is ...
... heart of thee , How like a deer , striken by many princes , Dost thou here lie ! Julius Caesar , act 3. sc . 3.19 ... heart ! he doth espy 17. Act 4 , sc . 5 . 18. O Amarillis , Authresse of my flame , ( Within my mouth how sweet now is ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers