Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 204
... extremely little , and the other extremely large . The emotion of surprise arising from any unusual resemblance , serves equally to explain , why at first view we are apt to think such < 289 > resem- blance more entire than it is in ...
... extremely little , and the other extremely large . The emotion of surprise arising from any unusual resemblance , serves equally to explain , why at first view we are apt to think such < 289 > resem- blance more entire than it is in ...
Стр. 240
... extremely faint , tho ' derision , its gratification , is extremely pleasant . This dispropor- tion between a passion and its gratification , may seem not conformable to the analogy of nature . In looking about for a solution , I ...
... extremely faint , tho ' derision , its gratification , is extremely pleasant . This dispropor- tion between a passion and its gratification , may seem not conformable to the analogy of nature . In looking about for a solution , I ...
Стр. 279
... extremely smart , and yet extremely serious . I give the following example . A certain petulant Greek , objecting to Anacharsis that he was a Scythian : True , says Anacharsis , my country disgraces me , but you disgrace your country ...
... extremely smart , and yet extremely serious . I give the following example . A certain petulant Greek , objecting to Anacharsis that he was a Scythian : True , says Anacharsis , my country disgraces me , but you disgrace your country ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers