Elements of Criticism, Том 1Liberty Fund, 2005 - Всего страниц: 821 |
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Стр. 86
... becomes hope when he hath a prospect of good fortune ; becomes admi- ration when he performs a laudable action ; and shame when he commits any wrong : aversion becomes fear when there is a prospect of good fortune to my enemy ; becomes ...
... becomes hope when he hath a prospect of good fortune ; becomes admi- ration when he performs a laudable action ; and shame when he commits any wrong : aversion becomes fear when there is a prospect of good fortune to my enemy ; becomes ...
Стр. 282
... becomes however so agreeable by custom , that a sailor in his walk on shore , confines himself commonly within the same bounds . I knew a man who had relinquished the sea for a country - life : in the corner of his garden he reared an ...
... becomes however so agreeable by custom , that a sailor in his walk on shore , confines himself commonly within the same bounds . I knew a man who had relinquished the sea for a country - life : in the corner of his garden he reared an ...
Стр. 283
... becomes habitual . And this holds equally in a passive habit ; variety in any remarkable degree , prevents the effect : thus any particular food will scarce ever become habitual , where the manner of dressing is varied . The ...
... becomes habitual . And this holds equally in a passive habit ; variety in any remarkable degree , prevents the effect : thus any particular food will scarce ever become habitual , where the manner of dressing is varied . The ...
Содержание
Beauty of Language with respect to Signification | 18 |
Beauty of Language from a resemblance between Sound and Signification | 83 |
Influence of Passion with respect to our Perceptions Opinions and Belief 152 | 112 |
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action Aeneid agreeable anger appear arts beauty burlesque Caesar chap character Cicero circumstances colour congruity connection degree Demetrius Phalereus desire dignity disagreeable distress doth effect elevation emotion produced emotion raised emotions and passions example expression external signs Falstaff feeling figure final cause give grandeur gratification grief habit hand hath heav'n Hence Henry IV Hudibras ideal presence ideas Iliad impression impropriety Jane Shore John Cairncross Julius Caesar Kames kind language less manner means mind motion Mourning Bride never novelty observation occasion opposite Othello painful passion Paradise lost passion perceive person pity pleasant emotion pleasure poem poet Pompey present produceth propensity proper proportion propriety punishment qualities reason reflection relation relish remarkable resemblance respect ridicule risible scarce selfish sense sensible sentiments Shakespear spectator sublime succession surprise taste termed thee Thestius things thou thought uniformity variety Venice preserv'd words writers