Essays on Epistemological Transformations and Theater History
Renaissance Drama, an annual and interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each volume explore traditional canons of drama, the significance of performance (broadly construed) to early modern culture, and the impact of new forms of interpretation on the study of Renaissance plays, theater, and performance.
This volume includes essays that focus on the participation of the drama in changing religious and economic systems, along with essays that focus on theater history in the transmission and revision of dramatic sources.
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MARTIN MUELLER Plutarchs Life of Brutus and
MARIEFLORINE BRUNEAU Racines Phèdre or the Labor
HUSTON DIEHL Observing the Lords Supper and the Lord
ALAN H NELSON and LAIN WRIGHT A Cambridge Playhouse
JOHN JOWETT Middletons No Wit at the Fortune
Notes on Contributors
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