CESAR

C.

ESAR loft his life by neglecting a Roman augur's
caution, N. 395.

CALIA, her character, N 404.

CALISTHENES, his character, N. 422.

Calunny, the ill effects of it, N. 451.

CAMILLA's letter to the SPECTATOR, from Venice,
N. 443. how applauded there, ibid.

CARTESIAN, how he would account for the ideas formed
by the fancy, from a single circumftance of the menio-
ry, N. 417.

CATO, the refpet paid him at the Roman theatre, N.
446.

CHAMONT's faying of Monimia's misfortune, N. 395.
Charity schools to be encouraged, N. 430.
CHARLES II. his gaieties, N. 462.

Charms, none can fupply the place of virtue, N. 395.
Children, their duty to their parents, N. 426; ill edu-
cation of them fatal, 431.

Chinese laugh at our gardens, and why, N. 414.
CHREMYLUS, his character out of Ariftophanes, N. 464.
CICERO, his genius, N. 404; the oracle's advice to him,
ibid. what he fays of fcandal, 427. of the Roman
gladiators, 436.

CLARENDON (earl of) his character of a perfon of a
troublesome curiofity, N. 439.

CLEANTHES, his character, N. 404.

CLEOPATRA, a defcription of her failing down the Cyd-
nos, N.
400,

CLOE, the idiot, N 466.

Colours, the eye takes moft delight in them, N. 412;
why the poets borrow most epithets from them, ibid.
only ideas in the nd, 413; peak all languages,
416.

Coinedies, English, vicious, N. 446.
Commonwealth of Amazons, N. 433..
Compattion civilizes human nature,
touch it, ibid

N. 397; how ΤΟ

Company temper chiefly to be confidered in the choice

of it, N 424.

Concave and convex figures in architecture have thre
greatest air, and why, N. 415.

Confidence, the danger of it to the ladies, N.

395.
COVERLEY (fir ROGER DE) his adventure with Sukey,
N. 410; his good humour, 424.

Converfation an improvement of tafte in letters, N.
409.

Country life, why the poets in love with it, N. 414;
what Horace and Virgil fay of it, ibid. rules for it,

424.

Courage wants other good qualities to fet it off, N. 422.
Court and city, their peculiar ways of life and converfa-
tion, N. 403.

Critics (French) friends to one another, N. 409.
Cuckoldom abufed on the ftage, N. 446.

Curiofity (abfurd) an instance of it, N. 439.

Cuftom, a fecond nature, N. 437; the effect of it, ibid.
How to make a good ufe of it, ibid. cannot make
every thing pleafing, 455.

CYNTHIO and Flavia break off their amour very whim-
fically, N. 399.

D.

DACINTHUS, his character, N. 462.

DAINTY (Mrs. MARY) her memorial from the country
infirmary, N. 429.

DAMON and Strephon, their amour with Gloriana, N.
423.

Dancing difplays beauty, N. 466; on the ftage faulty,
ibid, the advantages of it, ibid.

Dangers paft, why the reflection of them pleafes, 418.
Day, the feveral times of it in feveral parts of the town,

N: 454

Deluge, Mr. Wn's notion of it reproved, N,
396.

Defamation, the fign of an ill heart, N. 427; papers
of that kind a fcandal to the government, 451; to
be punished by good minifters. ibid.

Denying, fometimes a virtue, N. 458.

Deportment (religious) why fo little appearance of it
in England, N. 448.

Defcriptions come fhort of ftatuary and painting, N-
416; pleafe fometimes more than the fight of
things, ibid. the fame not alike relished by all,
bid. what pleases in them, 418; what is great,
furprising and beautiful, more acceptable to the ima-
gination than what is little, common, or deformed,
ibid.

Defire, when corrected, N. 400.

Devotion, the nobleft buildings owing to it, N.

415.

DIANA's cruel facrifices condemned by an ancient poet,

N. 453.

DIONYSIUS's ear, what it was, N. 439.

Difcourfe in converfation not to be engroffed by one man,
N. 428.

Distracted perfons, the fight of them the moft mortify-
ing thing in nature, N. 421.

DOGGET, how cuckolded on the ftage, N. 446.
Domeftic life, reflections concerning it, N. 455.
DORIS, Mr. Congreve's character of her, N. 422.
Drama, its first original a religious worship, N. 405.
Dream of the feafons, N. 425; of golden fcales,
463.

Drefs, the ladies extravagance in it, N. 435; an ill
intention in their fingularity, ibid. the English
character to be modeft in it, ibid.

Drink, the effects it has on modesty, N. 458.

E.

EASTCOURT (DICK) his character, N. 468.

Editors of the claffics, their faults, N. 470.

Education of children, errors in it, N. 431; a letter
on that fubject, 455 gardening applied to it,
ibid.

Emblematical perfons, N. 419.

Employments, whoever excels in any, worthy of praise,
N. 432.

Emulation, the use of it, N. 432.

Enemies, the benefits that may be received from them,

N. 399.

English naturally modeft, N. 407, 435; thought
proud by foreigners, N. 432.

Enmity the good fruits of it, N, 399.
EPICTETUS'S faying of forrow, N. 397.
Equeftrian ladies, who, N. 435.

Error, his habitation described, N. 460; how like to
Truth, ibid.

Effay on the pleasures of the imagination, from N. 411,

to 421.

Ether (fields of) the pleasures of furveying them, N.

420.

Ever-greens of the fair-fex, N. 395.

Euphrates river contained in one bason, N. 415.
Exchange (Royal) described, N 454.

F.

FAIRY writing, N. 419; the pleasures of imagi-

nation that arife from it, ibid. more difficult than
any other, and why, ibid. the English the best poets
of this fort, ibid.

Faith, the benefit of it, N. 459; the means of con-
firming it, 465.

Fame a follower of merit, N. 426; the palace of, de-
fcribed, 439; courts compared to it, ibid.
Familiarities indecent in fociety, N. 429..

Fancy, all its images enter by the fight, N. 411.
Fashion, a defcription of it, N. 460.

Father, the affection of one for a daughter, N. 449.

FLAVILLA, fpoiled by a marriage, N. 437.

Faults (fecret) how to find them out, N. 399.

Fear (paffion of) treated, N. 471.

Feeling not fo perfect a fenfe as fight, N. 411.

Fiction, the advantage the writers have in it to please
the imagination, N. 419; what other writers please
in it, 420.

FIDELIA, her duty to her father, N. 449.

Final caufes of delight, in objects, N. 413; lie bare,
and open, ibid.

Flattery defcribed, N. 460.

FLAVIA'S character and amour with Cynthio, N. 398.
FLORA, an attendant on the fpring, N. 425.

Follies and defe&s mistaken by us in ourselves for worth,
N. 460.

FORTIUS, his character, N. 422.

FORTUNATUS the trader, his character, N. 443.
FREART (monfieur) what he lays of the manner of both
ancients and moderns in architecture, N. 415.
French, their levity, N. 435..

Friends kind to our faults, N. 399.

G..

Gardening, errors in it, N. 414; why the English

gardens not fo entertaining to the fancy, as thole in
France and Italy, ibid. obfervations concerning its
improvement both for benefit and beauty, ibid. ap-
plied to education, 455.

Georgics (Virgil's) the beauty of their fubjects, N.

417.

Getture, good in oratory, N. 407.

Ghofts, what they fay thould be a little difcoloured, N.
419; the defcription of them pleafing to the fancy,
ibid. why we incline to believe them, ibid. not a vil-
lage in England formerly without one, ibid. Shake-
fpeare's the beft, ibid.

Gladiators of Rome, what Cicero fays of them, N. 436.
GLORIANA, the defign upon her, N. 423.

Goats milk the effect it had on a man bred with it, N.
408

Good fenfe and good nature always go together, N.

437.

Grace at meals practifed by the Pagans, N. 458.

Grandeur and minutenefs, the extremes pleafing to the
fancy, N: 420..

Gratitude, the most pleafing exercise of the mind, N
453; a divine poem upon it, ibid.

Greatnefs of objects, what understood by it, in the
pleafures of the inagination, N. 412,413

Green-ficknefs, Sabina Rentfree's letter about it, N.
431

Guardian of the fair fex, the SPECTATOR fo, N. 449.