Ere she sought her ocean nest
In the chambers of the West.
She left me, and I stayed alone
Thinking over every tone
Which, though silent to the ear,

The enchanted heart could hear,

Like notes which die when born, but still Haunt the echoes of the hill;

And feeling ever
- oh, too much!
The soft vibration of her touch,
As if her gentle hand, even now,
Lightly trembled on my brow;
And thus, although she absent were,
Memory gave me all of her

:

That even Fancy dares to claim :
Her presence had made weak and tame
All passions, and I lived alone

In the time which is our own;
The past and future were forgot,
As they had been, and would be, not.
But soon, the guardian angel gone,
The dæmon reassumed his throne

In my faint heart. I dare not speak
My thoughts, but thus disturbed and weak

I sat and saw the vessels glide

Over the ocean bright and wide,
Like spirit-wingèd chariots sent
O'er some serenest element
For ministrations strange and far;
As if to some Elysian star
They sailed for drink to medicine
Such sweet and bitter pain as mine.

37 They, Rossetti || omit, Garnett, 1862.

And the wind that winged their flight
From the land came fresh and light,
And the scent of wingèd flowers,
And the coolness of the hours
Of dew, and sweet warmth left by day,
Were scattered o'er the twinkling bay.
And the fisher with his lamp

And spear about the low rocks damp
Crept, and struck the fish which came
To worship the delusive flame.
Too happy they, whose pleasure sought
Extinguishes all sense and thought
Of the regret that pleasure leaves,
Destroying life alone, not peace!

FRAGMENTS

PART I

Under FRAGMENTS are included, with a few exceptions, incomplete poems, sketches and cancelled passages, and those more inchoate passages which have been recovered from Shelley's notebooks. The exceptions are the Prologue to Hellas, which has been put with that drama, A Vision of the Sea, published by Shelley with the poems accompanying Prometheus Unbound, and five pieces, To Mary Wollstonecraft Godwin, 1814, Death, An Allegory, On the Medusa of Leonardo da Vinci, and Evening, Pisa, which, though lacking a word or a line, are in effect complete. The order of the FRAGMENTS is not strictly chronological in the first division, and is altogether arbitrary in the second. The dates assigned in the footnotes are those generally accepted, but, as a rule, they are conjectural and approximate only, not exact. The text is derived from the editions of Mrs. Shelley, the studies of Dr. Garnett in the Boscombe MSS., published by him mainly in Relics of Shelley, 1862, or by Rossetti, 1870, and Rossetti's own studies both in the same and other MSS. of which the results were given in his edition. A few pieces, originally published elsewhere, were also gathered by Rossetti and Forman in their editions, and Forman was enabled to add something more from independent MSS. The original publication of each piece is mentioned in the footnotes.