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Struggle with frosty air and winter snows;

And let the chartered wind that sweeps the heath
Beat his grey locks against his withered face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never HOUSE, misnamed of INDUSTRY,
Make him a captive !—for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age!
Let him be free of mountain solitudes;
And have around him, whether heard or not,
The pleasant melody of woodland birds.
Few are his pleasures: if his eyes have now
Been doomed so long to settle upon earth
That not without some effort they behold
The countenance of the horizontal sun,
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, where and when he will, sit down
Beneath the trees, or on a grassy bank
Of highway side, and with the little birds
Share his chance-gathered meal; and, finally,
As in the eye of Nature he has lived,
So in the eye of Nature let him die !

ANIMAL TRANQUILLITY AND DECAY. Composed 1798.

Published 1798.

THE little hedgerow birds,
That peck along the road, regard him not.
He travels on, and in his face, his step,
His gait, is one expression: every limb,
His look and bending figure, all bespeak

A man who does not move with pain, but moves
With thought. He is insensibly subdued

To settled quiet he is one by whom

All effort seems forgotten; one to whom

Long patience hath such mild composure given,

That patience now doth seem a thing of which
He hath no need. He is by nature led

To peace so perfect that the young behold
With envy, what the Old Man hardly feels.

Composed 1798.

FROM THE PROLOGUE TO

PETER BELL.

Published 1819.

THERE was a time when all mankind

Did listen with a faith sincere

To tuneful tongues in mystery versed;
Then Poets fearlessly rehearsed
The wonders of a wild career.

Go-(but the world's a sleepy world,
And 'tis, I fear, an age too late)

Take with you some ambitious Youth!
For, restless Wanderer! I, in truth,
Am all unfit to be your mate.

Long have I loved what I behold,

The night that calms, the day that cheers;
The common growth of mother-earth
Suffices me-her tears, her mirth,

Her humblest mirth and tears.

The dragon's wing, the magic ring,
I shall not covet for my dower,
If I along that lowly way

With sympathetic heart may stray,
And with a soul of power.

These given, what more need I desire

To stir, to soothe, or elevate?

What nobler marvels than the mind
May in life's daily prospect find,
May find or there create?

A potent wand doth Sorrow wield;
What spell so strong as guilty Fear!
Repentance is a tender Sprite ;

If aught on earth have heavenly might, 'Tis lodged within her silent tear.

He roved among the vales and streams,
In the green wood and hollow dell;
They were his dwellings night and day,—
But Nature ne'er could find the way
Into the heart of Peter Bell.

In vain, through every changeful year,
Did Nature lead him as before;

A primrose by a river's brim

A yellow primrose was to him,
And it was nothing more.

At noon, when, by the forest's edge
He lay beneath the branches high,
The soft blue sky did never melt
Into his heart; he never felt
The witchery of the soft blue sky!

On a fair prospect some have looked
And felt, as I have heard them say,
As if the moving time had been
A thing as steadfast as the scene
On which they gazed themselves away.

Though Nature could not touch his heart
By lovely forms, and silent weather,
And tender sounds, yet you might see
At once, that Peter Bell and she
Had often been together.

A savage wildness round him hung
As of a dweller out of doors;

In his whole figure and his mien

A savage character was seen

Of mountains and of dreary moors.

To all the unshaped half-human thoughts
Which solitary Nature feeds

'Mid summer storms or winter's ice,

Had Peter joined whatever vice

The cruel city breeds.

His face was keen as is the wind

That cuts along the hawthorn-fence;
Of courage you saw little there,
But, in its stead, a medley air
Of cunning and of impudence.

He had a dark and sidelong walk,
And long and slouching was his gait ;
Beneath his looks so bare and bold,
You might perceive, his spirit cold
Was playing with some inward bait.

There was a hardness in his cheek,
There was a hardness in his eye,
As if the man had fixed his face,
In many a solitary place,

Against the wind and open sky!

LINES WRITTEN IN EARLY SPRING.

Composed 1798.

Published 1798.

I HEARD a thousand blended notes,
While in a grove I sate reclined,

In that sweet mood when pleasant thoughts
Bring sad thoughts to the mind.

To her fair works did Nature link
The human soul that through me ran;
And much it grieved my heart to think
What man has made of man.

Through primrose tufts, in that green bower,
The periwinkle trailed its wreaths;
And 'tis my faith that every flower
Enjoys the air it breathes.

The birds around me hopped and played,
Their thoughts I cannot measure :-
But the least motion which they made,
It seemed a thrill of pleasure.

The budding twigs spread out their fan,
To catch the breezy air;

And I must think, do all I can,
That there was pleasure there.

If I these thoughts may not prevent,
If such be Nature's holy plan,
Have I not reason to lament

What man has made of man?

TO MY SISTER.

Composed 1798.

Published 1798.

IT is the first mild day of March:

Each minute sweeter than before,

The redbreast sings from the tall larch
That stands beside our door.

There is a blessing in the air,
Which seems a sense of joy to yield
To the bare trees and mountains bare,
And grass in the green field.

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