Reading Music: Selected Essays
Routledge, 5 июл. 2017 г. - Всего страниц: 376
This outstanding collection of Susan McClary's work exemplifies her contribution to a bridging of the gap between historical context, culture and musical practice. The selection includes essays which have had a major impact on the field and others which are less known and reproduced here from hard-to-find sources. The volume is divided into four parts: Interpretation and Polemics, Gender and Sexuality, Popular Music, and Early Music. Each of the essays treats music as cultural text and has a strong interdisciplinary appeal. Together with the autobiographical introduction they will prove essential reading for anyone interested in the life and times of a renegade musicologist.
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Absolute Music Adorno Aeolian African American articulated artists avant-garde Bach's bass Beethoven beginning Bessie Smith Bizet body Brahms cadence Cambridge Carmen century Chaconne chapter chorale ciaccona closure composers composition concerto constructions context conventions criticism critique cultural dance discourse discussion essay Feminine Endings feminist final formal French gender genre harmonic identity Ideology images instance Italian jazz José Laurie Anderson listeners Living to Tell Madonna madrigal male masculine means minor Mirtillo modal mode Monteverdi movement musicians musicology narrative nineteenth-century opera performance piece pitch politics during Bach popular music repertory ritornello Robert Walser Rose Rosengard Subotnik Schubert Schubert's music semiotic sexuality sixteenth-century sixth degree social sonata song strategies structure style subjectivity Susan McClary Symphony Talking politics Taylor & Francis tensions Teresa de Lauretis Terminal Prestige theme theorists theory Thinking Blues tion tonal tonic tradition trans University Press Violin voice Western music women York