My Mother Was a Computer: Digital Subjects and Literary Texts
University of Chicago Press, 15 окт. 2005 г. - Всего страниц: 290
We live in a world, according to N. Katherine Hayles, where new languages are constantly emerging, proliferating, and fading into obsolescence. These are languages of our own making: the programming languages written in code for the intelligent machines we call computers. Hayles's latest exploration provides an exciting new way of understanding the relations between code and language and considers how their interactions have affected creative, technological, and artistic practices.
My Mother Was a Computer explores how the impact of code on everyday life has become comparable to that of speech and writing: language and code have grown more entangled, the lines that once separated humans from machines, analog from digital, and old technologies from new ones have become blurred. My Mother Was a Computer gives us the tools necessary to make sense of these complex relationships. Hayles argues that we live in an age of intermediation that challenges our ideas about language, subjectivity, literary objects, and textuality. This process of intermediation takes place where digital media interact with cultural practices associated with older media, and here Hayles sharply portrays such interactions: how code differs from speech; how electronic text differs from print; the effects of digital media on the idea of the self; the effects of digitality on printed books; our conceptions of computers as living beings; the possibility that human consciousness itself might be computational; and the subjective cosmology wherein humans see the universe through the lens of their own digital age.
We are the children of computers in more than one sense, and no critic has done more than N. Katherine Hayles to explain how these technologies define us and our culture. Heady and provocative, My Mother Was a Computer will be judged as her best work yet.
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Intermediation Textuality and the Regime of Computation
Speech Writing Code Three Worldviews
The Dream of Information Escape and Constraint in the Bodies of Three Fictions
STORING Print and Etext
Performative Code and Figurative Language Neal Stephensons Cryptonomicon
Flickering Connectivities in Shelley Jacksons Patchwork Girl
TRANSMITTING Analog and Digital
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agency analog argues Arrhodes become behavior binary body cellular automata chapter Chew-Z cognitive complex Computational Universe consciousness context create Cryptonomicon cultural Derrida digital computer Digital Philosophy digital subjects distributed cognitive dynamics Edward Fredkin Egan Egan's electronic literature electronic text electronic textuality embodied emergence Enoch Root evolve example explore feedback loops female fiction function Greg Egan Guattari human hypertext idea implications instantiated intelligent machines interactions intermediation interpretation kind Kind of Science Kittler Lem's lexia linked Mary Shelley material McGann meaning mechanism metaphor mind monster multiple narrative narrator novel object operations Palmer Eldritch Patchwork Girl performative Permutation City physical posthuman processes quantum Randy reality Regime of Computation robot Saussure Saussure's sense Shelley Shelley Jackson signifier simulation speech and writing Stephen Wolfram Stephenson story Storyspace structure technologies theory tion transformation translation Turing understand virtual creatures Wolfram worldview
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