Music, Analysis, Experience: New Perspectives in Musical Semiotics

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Costantino Maeder, Mark Reybrouck
Leuven University Press, 7 дек. 2015 г. - Всего страниц: 356

 Transdisciplinary and intermedial analysis of the experience of music

Nowadays musical semiotics no longer ignores the fundamental challenges raised by cognitive sciences, ethology, or linguistics. Creation, action and experience play an increasing role in how we understand music, a sounding structure impinging upon our body, our mind, and the world we live in. Not discarding music as a closed system, an integral experience of music demands a transdisciplinary dialogue with other domains as well. Music, Analysis, Experience brings together contributions by semioticians, performers, and scholars from cognitive sciences, philosophy, and cultural studies, and deals with these fundamental questionings. Transdisciplinary and intermedial approaches to music meet musicologically oriented contributions to classical music, pop music, South American song, opera, narratology, and philosophy.
ContributorsPaulo Chagas (University of California, Riverside), Isaac and Zelia Chueke (Universidade Federal do Paraná, OMF/Paris-Sorbonne), Maurizio Corbella (Università degli Studi di Milano), Ian Cross (University of Cambridge), Paulo F. de Castro (CESEM/Departamento de Ciências Musicais; FCSH Universidade Nova de Lisboa), Robert S. Hatten (University of Texas at Austin), David Huron (School of Music, Ohio State University), Jamie Liddle (The Open University), Gabriele Marino (University of Turin), Dario Martinelli (Kaunas University of Technology; International Semiotics Institute), Nicolas Marty (Université Paris-Sorbonne), Maarten Nellestijn (Utrecht University), Małgorzata Pawłowska (Academy of Music in Krakow), Mônica Pedrosa de Pádua (Federal University of Minas Gerais, UFMG), Piotr Podlipniak (Adam Mickiewicz University, Poznan), Rebecca Thumpston (Keele University), Mieczysław Tomaszewski (Academy of Music in Krakow), Lea Maria Lucas Wierød (Aarhus University), Lawrence M. Zbikowski (University of Chicago)
 

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Содержание

Preface
9
e in Line Between Mediation
31
Part Two Representation Interpretation and Meaning
59
on Gérard Genettes eory
83
Semiotic Narrativization Processes
97
Wittgenstein Ethics and Aesthetics
115
Where to Draw the Line? Representation in Intermedial Song Analysis
135
Part ree Experience Cognition and Aect
150
A Semiotic Approach
225
What Kind of Genre Do You ink We Are? Genre eories
239
Part Five Analysis and Beyond
255
e Case of LennonMcCartney
277
e Sublime as a Topic in Beethovens Late Piano Sonatas
301
An Integrative Approach
315
Towards a Tripartite eory
331
Editors
349

Musical Semiotics and Analogical Reference
167
Part Four Intermediality and Transdisciplinarity
209

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Об авторе (2015)

Mark Reybrouck is Professor at the Department of Musicology at KU Leuven.
Costantino Maeder is Professor at the Faculty of Languages and Literature, Director of the Centro di studi italiani and Head of Globalit – Louvain Research Centre for Comparative and Global Studies, Université catholique de Louvain.

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