Intermedial Theater: Performance Philosophy, Transversal Poetics, and the Future of Affect

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Springer, 6 апр. 2017 г. - Всего страниц: 314
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Intermedial Theater offers an original contribution to a developing and productive sophistication in this fast-growing area of research. Exploring the relationship between technology, consciousness, subjectivity, affect and spectatorship, the book focuses on the fertile gap between the somatic, cultural and the political across contemporary European theatre using new technologies.

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Introduction Formal Matters
Noodling the Nodals Nodal Hamlet Difference and Repetition Extreme Performances Remembering to Forget
Aspects of Intermediality Objective Agency Wonderment and Transversal Refractions from the Age of Shakespeare
The Fugitive Theater of Romeo Castellucci and Jan Lauwers after Nietzsche and with Guattari and Deleuze Intermedial Operations Animal Interventi...
Transversal Affectivity and the Lobster Intimate Advances of Deleuze and Guattari Rodrigo García and La Carnicería Teatro Jan Lauwers and Needc...
Fractalicious Implosive Affects and Transversal Refractions
For the Love of Hamlets Headspace Noodling with Deleuze Thomas Ostermeiers Nodals and AlloRealism
Appendix 1
Appendix 2
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Bryan Reynolds is Claire Trevor Professor of Drama at the University of California, Irvine, USA. He is also the Artistic Director of the Amsterdam-based Transversal Theater Company, a director of theater, a performer, and a playwright, whose plays have been produced in the United States, Europe, Asia, and the Middle East.

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