Blade RunnerBloomsbury Academic, 1997 - Всего страниц: 96 In his reading of one of the most influential films of the 1980s, Scott Bukatman situates the film in terms of debates about postmodernism. Although BLADE RUNNER explores the tensions fundamental to a postmodern era of bewildering technological change, he argues that the film derives from the 20th-century modernist experience of the city--the experience of a space both imprisoning and liberating. Color illustrations. |
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GRAD | 6 |
Filming Blade Runner | 13 |
The Metropolis | 42 |
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aesthetic alienation Androids Androids Dream Angeles architecture audiences become BFI Modern Classics Blade Runner Bradbury Building Bruce Sterling camera cinema complex Concentration City constructed continued costume creating culture cyberpunk cyberspace cyborg Deckard Deckard's status defined delirious Dick's director Director's Cut Dream of Electric editor English editing Electric Sheep electronic empathy emphasised environment existence experience exploration eyes fantasies film's footage fractal Future Noir futuristic Gaff genre Hampton Fancher Heavy Metal Hollywood human humanoids kaleidoscopic Koolhaas lbid light machine memory Metropolis Michael Deeley miniature modernist Moebius narration narrative Neuromancer novel Oliver Sacks Paul Sammon Philip K photographs post-modern produced Rachael reality replicants retrofitted Ridley Scott Roy Batty scene science fiction film screen screenplay script sequence shot Simmel simulation skyscrapers Slavoj Žižek Special effects Star Wars story street Syd Mead synthetic Tandem Trumbull Trumbull's Tyrell Corporation unicorn urban space viewer vision visual Warners York Yuricich Žižek