Audio Engineer's Reference BookMichael Talbot-Smith Taylor & Francis, 1999 - Всего страниц: 704 The Audio Engineer's Reference Book is an authoritative volume on all aspects of audio engineering and technology including basic mathematics and formulae, acoustics and psychoacoustics, microphones, loudspeakers and studio installations. The content is concise and accurate, providing quick and easy access to everything you will need to know, from basic formulae to practical explanations and operational detail. Compiled by an international team of experts, this second edition has been updated to keep abreast of fast-moving areas such as digital audio and transmission technology. Much of the material has been revised, updated and expanded to cover the very latest techniques. For professionals engaged in the design, manufacture and installation of all types of audio equipment, this reference book will prove an invaluable resource. It will also be of interest to anyone employed in recording, broadcasting or audio-visual units in industry, and students on university courses. Michael Talbot-Smith is a freelance audio consultant and writer who, for many years, trained audio engineers at BBC Wood Norton. He is also the author of Sound Assistance and Audio Explained, and is the editor of Sound Engineer's Pocketbook. |
Содержание
1 Basic principles | 1-1 |
2 Acoustics and acoustic devices | 2-1 |
3 Recording and reproduction | 3-1 |
4 Digital equipment | 4-1 |
5 Studios and their facilities | 5-1 |
6 Distribution of audio signals | 6-1 |
7 Miscellaneous topics | 7-1 |
| 7-57 | |
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Часто встречающиеся слова и выражения
acoustic addition allow amplifier analogue applied audio band become bits broadcast called cause channel characteristics circuit coding components connected correct delay depending devices direction distortion editing effect Engineering equal equipment error example field Figure filter format frequency gain give given head important increase input less limited listening machine material means measurement meter method microphone mixer mixing modulation monitoring noise normally operation output path performance position possible practice present pressure problem produce programme radio range reason receiver recording reduced reference reflections relative response result sample separate shown shows signal sound space specific standard stereo studio surface switch tape techniques telephone tion track transmission typical unit usually voltage wave
Ссылки на эту книгу
Foundations of Digital Signal Processing: Theory, Algorithms and Hardware Design Patrick Gaydecki Ограниченный просмотр - 2004 |
The Art of Recording: Understanding and Crafting the Mix William Moylan Недоступно для просмотра - 2002 |