BachHaus Publishing, 2003 - Всего страниц: 178 Johann Sebastian Bach (1685-1750) was the father of modern music, a supreme craftsman able to bridge the gap between the music of the Renaissance and the glories of Mozart, Hayden, and Beethoven. Bach expert Martin Geck shows us Bach in his time, offering a portrait of the personal, political and social circumstances that shaped some of the greatest music ever written. It analyses Bach's musical achievement and considers why music such as the "Brandenburg Concertos" and the "St. Matthew Passion" continues to hold its appeal centuries later. |
Содержание
Bach | 25 |
Court Kapellmeister in Köthen 17171723 | 48 |
Bachs early | 70 |
Bachs middle Leipzig | 96 |
the late Leipzig period | 120 |
Bachs place in the history of music | 140 |
Chronology | 156 |
Picture Sources | 172 |
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aesthetic Anna Magdalena appointed aria Arnstadt Art of Fugue B-minor Mass Bach Reader Bach wrote Bach-Dokumente Bach-Jahrbuch Bach's music basso continuo Brandenburg Concerti Buxtehude canon cantata cantata BWV Carl Philipp Emanuel century Christian Christoph Wolff church music church of St Collegium Musicum composition concertante concerto counterpoint court composer cycle Dresden Eisenach Elector Engl ensemble famous flute Friedrich galant genre Georg Philipp Telemann Goldberg Variations Gott Hamburg Handel harpsichord Heinrich ideas Italian J. S. Bach Johann Christoph Johann Gottfried Johann Sebastian Bach Kantor of St Kapelle Kapellmeister Kapellmeister Bach Kassel keyboard Klavierübung Köthen later Leipzig Leipzig period Leopold Lüneburg Lutheran manuscript melody movement Neukirche obbligato Ohrdruf opera organ chorale organist Orgelbüchlein partitas performed perhaps Picander pieces played polyphonic Prince pupils rhetoric ritornello sacred solo soloists sonatas St Matthew Passion St Thomas's style theme tradition trumpet violin virtuoso Vivaldi vocal Weimar Well-Tempered Clavier Wilhelm Friedemann writing written